0 Members and 1 Guest are viewing this topic.
I have 13 harmonicas and 3 of them are Chromettas'. Two 10's and a 14. I very much enjoy playing them.
the narrow dividers between the holes cause me to tighten up my playing so that I don't get chirps from an adjacent hole that I didn't mean to play.
By your reasoning, penny whistle, with only two octaves (plus a few notes if you're clever), and diatonic unless you half-hole or cross-finger, compares unfavorably with a concert flute, with three-plus octaves (three and a half if you're clever), and fully chromatic to boot. But there are clever people out there who play whistle a lot better than some doofuses play flute. Not "Flight of the Bumblebee," but you gotta go with the repertoire suitable for the instrument.
A Chrometta 8 is plenty for most Irish music and New England fiddle tunes. (Retuning to D might help, but not really the issue here.)
For lots of music, you'd still need to jump octaves on a 12/48. Want a harmonica for every range? Play a 16/64.
Nice picture, thanks for posting. I wonder if anyone has made a substitute mouthpiece with the big square holes -- I think that's largely what gives the chrometta its sound.Norm
That’s pretty cool. Do you how much they ask?
Thanks for the mouthpiece info, guys. It seems strange that they made the hole dividers so narrow on a chromatic that they advertise for beginners. But I guess they did.
Quote from: Doug on July 09, 2018, 05:03:13 PMThanks for the mouthpiece info, guys. It seems strange that they made the hole dividers so narrow on a chromatic that they advertise for beginners. But I guess they did.They advertise that the holes are larger to make it easier to play for a beginner. https://www.hohner.de/en/instruments/harmonicas/chromatic/chrometta